The glass-enclosed tunnel leading out from the New Wing of the Isabella Stewart Gardner Museum is a portal through time, transporting visitors to a 1903 Venetian-style palace. The 4-storey residence, located in the Fenway-Kenmore neighborhood of Boston, is home to one of America’s finest private art collections. It is also the site of the largest art heist in history, which remains unsolved to this day.
Sejima Kazuyo was born in Ibaraki, Japan in 1956. After graduating from Japan Women’s University in 1981 with a master’s degree in Architecture, she joined the firm Toyo Ito and Associates. Six years later, Kazuyo opened her own practice and became known for her sleek, modernistic designs. One of her first hires was Nishizawa Ryue, a student who had worked with her at Toyo Ito. Together, they went on to establish the Tokyo-based architectural firm, SANAA.
SANAA has since designed a number of innovative building in Japan and around the world, including the Rolex Learning Center in Switzerland; the Toledo Museum of Art’s Glass Pavilion in Ohio, the New Museum of Contemporary Art in New York; the Serpentine Pavilion in London; The Christian Dior Building in Tokyo; and the 21st Century Museum of Contemporary Art in Kanazawa.
In 2015, the 2010 Pritzker Prize laureates broke ground on a multipurpose building and landscape project for Grace Farms in New Canaan, Connecticut.
Nestled in a cluster of trees adjacent to U.S. Route 7 in Connecticut is a 62-room, 44,000 square-foot (4,100 m2) Victorian-era mansion that was built by a man with a name just as majestic – LeGrand Lockwood. In 1938, the Norwalk local began working as a clerk for a brokerage firm on Wall Street. By age 23, he had already made partner. Fourteen years later, he renamed the firm Lockwood and Co.
The firm, primarily dealing with the trading of railroad stocks, was so well-regarded on Wall Street that Lockwood was named the treasurer of the New York Stock Exchange. After travelling to Europe to sell war bonds in 1863, he returned home an even wealthier man the following year and began to build his summer home in Connecticut.
One of my favorite things about living in Connecticut is being surrounded by nature. Despite being a pretty urbanized state, there is plenty of untouched land filled with rolling hills, woodlands and water. While most of the latter comprises of modest waterfalls, there is a dramatic series of cascades in Litchfield Country that are the exception.
The first time I went to an outdoor sculpture park was in Japan. The exhibits were so creative and interactive, that I ended up visiting twice, despite it being a 2-hour drive away. So when Dani and Kyle suggested that we go see the one in upstate New York, I was really excited to check it out.
My first thought staring out onto the South Fields, though, was that it looked like something out of a scene from Arrival. The beams of Mark di Suvero’s industrial sculptures rise from the surrounding hills like futuristic crafts ready to beam up anyone who dared to get close. I wasn’t sure I liked how starkly the red and brown steel contrasted the soft grass and brush and, upon perusing the brochure, was disappointed to learn we couldn’t touch or climb on most of the exhibits.
But you need to stop comparing everything to Japan, I told myself, and besides, 100,000 annual visitors couldn’t be wrong…could they?
“Presione el botón! Si, el botón. No, a la derecha! A la derecha!” I fumbled frantically around the dials on the car door but to no avail, then turned to the driver apologetically. “I don’t speak Spanish.” “Oh, you don’t?” “I’m not from here.” “Where are you from?” “South Africa.” And so began a very colorful story about Uruguay, soccer and too much weed.
Staring out from the passenger seat of a Lyft while listening to the drivers recount stories like Mario’s has become the highlight of my day. There was Carlos, who was a millionaire in Spain before the economy crashed; Chol, who spent his childhood in South Korea; Brian, a right wing gamer who’s starting his own website; and Satinderpal, who claims that only Saffas and Aussies ride up front.
Our candid conversations are a daily reminder that everyone is from somewhere, and that it’s never too late to start over. They don’t know it, but they have made me feel welcome in a place where I don’t altogether feel like I belong.
“It’s snowing!” I yelled excitedly over my shoulder, peeking through the curtains. “Oh yeah?” my sister responded with mild disinterest. You’d swear she never grew up in Johannesburg. The fluffy white stuff still excites me; I’m lucky if I even get to see it once a year.
We packed up the last of our things and headed for the bus, which ambled through the fresh snowfall to Niagara Jet Adventures. A ride on one of the company’s customized jet boats down the Niagara River costs $61 (and 45 minutes of nausea), which we weren’t willing to part with in the cold. We huddled around hot coffee and chocolate muffins in the waiting area instead and made friends with a nice family from Croatia.
During the summer of 1928, two cows named Lucky and Floyd wandered from a farm outside of Cobleskill, New York and fell to the bottom of a 26-meter (85-ft) hole. The unfortunate event piqued the interest of a local engineer, Roger Mallery, who was working on a nearby commercial cave.
He recruited a group of teens to descend into the darkness and explore. After crawling through water and mud, they discovered that the chamber was connected to another, and then another. At the end of the last chamber they found a subterranean waterfall. Mallery purchased the land and opened it up to the public the following year.
The Secret Caverns has been competing with the much larger Howe Caverns ever since, and were the first stop on a two-day bus tour to Niagara Falls that my sister and I had embarked on earlier in the morning.
One hour. That’s how long it takes to walk from Manhattan to Brooklyn. Or Brooklyn to Manhattan, depending on which side of the Brooklyn Bridge you stand. We were on the Manhattan side, at City Hall, ready to make the 1,825 meter trek along with hundreds of tourists who were also taking advantage of the sun. It was the first clear day in a week, and also the coldest – perfect for taking pictures.
My sister began doling out instructions on how to walk across the bridge (read: how to not piss off the locals) as we crossed Park Row. There’s always potential for you to fuck something up as a visitor in New York; it’s like you’re constantly showing up to write a test that you didn’t study for.
“Get out of the bike lane!”
And just like that, I was docked 10 points.
Graffiti is dead. Or so we were told by a woman idling outside a Brooklyn art gallery. Yelled at, is more accurate. She was definitely yelling. “You’re wasting your time! It’s not real! They’re all sell outs!”
Our Free Tour By Foot of Bushwick had suddenly turned into a heated trial; the merciless prosecutor across the street passionately trying to convince us, the jury, that the defendant, our tour guide, was taking us for a ride. Real graffiti hasn’t existed since the 80s, she argued.
Our walk around the working class neighborhood on the north side of New York’s most populous borough suggested otherwise; graffiti, now more popularly referred to as street art, is very much alive and well.
“It’s a pity we’re doing this now. It must look so nice when its all green.”
“It’s ok. You know how much I love dead things.”
Danielle and I had just entered the northern end of the High Line, a 2.3 km (1.45 mi) concrete trail built on an abandoned freight railway track that served Manhattan’s industrial center from the 1930s to the 1980s. Today, it is a public park that extends 22 blocks above the West Side, from 34th Street down to Gansevoort in the Meatpacking District.
My sister’s giggle was part delight and part surprise – the way you laugh when you forget and remember someone all at once. It had been a year since we last saw each other, and a year since I had last been in New York.
I’ve never actually been in the city for any other season – marshmallow streets lined with skeleton trees are just how I know it. And even though it was unusually warm for late December with not a snowflake in sight, it was still very much winter. But as I soon came to realise, Manhattan’s most innovative park is a treat in all seasons.
Staten Island is a dump – literally and figuratively. It used to house the world’s largest landfill before it closed in 2001, and although it is the third-largest borough of New York City, it is the least populated. But usually the most forgotten places have the rarest gems, and for Staten Island, it’s the Alice Austen House.
The house-turned-museum, known as Clear Comfort, is the former family home of the photographer Alice Austen. In the Rosebank section of the island, the house sits on a small hill overlooking New York Bay, offering a view that is worth the ferry ride alone.